Re: Free useful thing for those hosting a tasting
Posted: Thu Aug 31, 2017 12:31 pm
Forum for Port, Madeira & Portuguese Wines
https://www.fortheloveofport.com/ftlopforum/
https://www.fortheloveofport.com/ftlopforum/viewtopic.php?t=1206
I maintain a list of placemats, which includes (some of) those not made by me and not used by me. Very willing to include more of those used by RAH and friends.Roy Hersh wrote:Hopefully Glenn will add our local tasting placemats and even the incredible Madeira tastings that take place in NY every year.
So are you saying it is true that Orange is the New Black?But I would like the new black tested on a variety of printers
Screens tend to work in a colourspace called ‘RGB’, which is about adding light to an otherwise unlit screen. Printers tend to work in a colourspace called ‘CMYK’, which is about absorbing light on otherwise-white paper. These colourspaces work differently. (Much geekiness is being suppressed: be grateful.) I’m testing changing the pure-black, which is much of most pages, from RGB to CMYK. Does that cause any problems? Please tell me.Roy Hersh wrote:So are you saying it is true that Orange is the New Black?
Are you actually overlaying inks to make black? On the color laser printers I've used (and other technologies for that matter going back 20+ years), this sometimes gives a richer black, but also one that sacrifices sharp edges. Some programs and printers will even recognize that you're making black and swap out for black ink, and sometimes even if you aren't going 100% (under color removal). But I'm guessing with raw PostScript in the PDF you can probably avoid this, at least on PostScript printers. I guess I should try your test pages using both PostScript and non-PostScript printer drivers, too?
The text in the Circlearrays is typically just under 8pt, so can have very fine lines. Using multiple colours would risk a slight registration (=offset) error. Hence my CMYK page uses 0 0 0 1 setcmykcolor. If I were printing a substantial contiguous area of black, it should be richened with a little of the CMY, and (apparently) a mite less K. But the fine edges force the 0 0 0 1 decision.Eric Menchen wrote:Are you actually overlaying inks to make black? On the color laser printers I've used (and other technologies for that matter going back 20+ years), this sometimes gives a richer black, but also one that sacrifices sharp edges. Some programs and printers will even recognize that you're making black and swap out for black ink, and sometimes even if you aren't going 100% (under color removal). But I'm guessing with raw PostScript in the PDF you can probably avoid this, at least on PostScript printers. I guess I should try your test pages using both PostScript and non-PostScript printer drivers, too?
I can't argue with what you've written. My expert knowledge in this field is 25+ years old, so fuzzy at best.Julian D. A. Wiseman wrote:If you have expert knowledge, and my reasoning is wrong, please do correct it.
As there might be people unaware of this software, I hope a re-statement of its purpose and non-cost is still allowed.Roy Hersh wrote:Thanks Julian, for bumping this forward.
Whenever you release a new version of the software or a year or two passes by, please feel free to do the same and no permission is needed for this.
(Since that was written 11¼ years ago, the “small” program has become quite large, and I am no longer its only user. But still completely free and open source.)jdaw1 wrote:A good tasting might consist of ten bottles and six or seven people. Most of an hour is spend carefully sampling and commenting on the vintages, before this enjoyable task is supplanted by the also enjoyable tasking of drinking. As readers of this bulletin board surely know, it can be a fine way to spend an evening.
But it is very important not to become confused about which glass is which. Hence when I host such an evening, a placemat is prepared for each guest, carefully identifying the place for each glass. And I have written a small PostScript program that makes such placemats and matching decanter labels, a program that is published at www.jdawiseman.com/papers/placemat/placemat.html, with example output at www.jdawiseman.com/papers/placemat/placemat.pdf. It takes a little technical skill to operate it, but not much.
And it's free: £0 = $0 = €0 = ¥0.
Nice!! It's now professional styleJulian D. A. Wiseman wrote: ↑Sat Feb 13, 2021 11:36 am The move to GitHub is complete. If you have published links to this software, please update them to:
• http://github.com/jdaw1/placemat/
• http://github.com/jdaw1/placemat/blob/main/PostScript/placemat.ps
• http://raw.githubusercontent.com/jdaw1/placemat/main/PostScript/placemat.ps
as appropriate.
I would think printer driver and OS might also be important, in particular if the printer itself doesn't natively support PostScript.Julian D. A. Wiseman wrote: ↑Fri Sep 10, 2021 2:05 pm At a recent tasting the TN sheets looked terrible. Various possibilities need to be tested on multiple printers, as requested in issue 155. If you are willing to use your printer, please read and heed.
Thank you, received, and results added to issue 157.