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For The Love Of Port
October 2005

11th Issue

Article and photos © copyright 2005 by Roy Hersh

Dear friends of Port wine,

A couple of months have passed since the last issue of FTLOP. I had committed to a two month project which had me sequestered out of town and away from my computer. Not only that, but I did not have a single bottle of Vintage Port with me, so with the onset of the 2005 Port drinking season, I am now ready to indulge my taste buds.

I would like to thank those of you whom have taken a moment to visit the new website and especially those of you that have participated in the interactive FORUM, which can be viewed here: http://www.fortheloveofport.com/forum/index.php. It was gratifying to learn that it was perused by members and guests from 51 countries within the first nine days that the Forum was operational. Conversing in this format has been most enjoyable and has brought the newsletter full circle. My favorite part of FTLOP has always been the MAILBAG section, which allowed me to communicate with the folks who sent in questions or suggestions. The Forum has personalized the dialogue and opened up a wide variety of topics on Port, Madeira and travel, while allowing novices and experts alike to share their ideas, tasting notes and ask lots of great questions.

Later this month, Mario and I will lead our first tour through the Port territories and we look forward to meeting the folks who have signed up for our maiden voyage. Shortly thereafter, we’ll be visiting the adegas, wine shops, restaurants and hotels in Madeira and planning dates for our 2006 trips to both destinations (Lisbon/Madeira and Oporto/Douro). Stay tuned for some shared pictures, stories and tasting notes in an upcoming newsletter.
 
Thanks for your supPort!
 
Roy
 
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CONTENTS:
~ Did You Know?
~ Tasting Note: 1966 Sandeman Vintage Port
~ Op Ed: Why not offer 500 ml bottles of Port?
~ Roy’s Port Website Recommendation: www.infoportwine.com
~ Protecting the name of Port: International Agreement is Signed
~ Which vintage? Roy’s Vintage Port Vintage Chart: 1900 - 2003
~ On the Record: Ryan Catavino interviews Roy Hersh
~ PortoLover's Mailbag: Letters and e-feedback

 
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~ Did You Know?
  1. Vintage Port makes up less than 2% of all Port produced.
  2. The Douro River Valley region is the oldest demarcated wine region in the world, pre-dating the AOC regulations of Bordeaux by 99 years.
  3. Only one third of the Douro River is located in Portugal and dissects the Northern part of the country, spanning from the Atlantic Ocean (at Oporto) to the Spanish border. The remaining two thirds of the river flows from Spain, where the river changes its name to Ribera del Duero.
  4. There are over 80 grapes, which are approved for the production or white and red Port.
  5. The hottest interactive community discussions on Port and Madeira take place at: http://www.fortheloveofport.com/forum/index.php. Sign up is FREE & takes less than 30 seconds.
  6. In December 2005, there will be a contest for active members of the FTLOP Forum, (to win: you must be enrolled in the FORUM, by no later than Nov. 5th). One lucky winner will receive a pristine bottle of great Vintage Port from Roy’s home cellar. The GRAND PRIZE will be announced along with the contest rules in November’s FTLOP newsletter.
     
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~ October's Tasting Note: 1966 Sandeman Vintage Port                

Decanted 4 hours. Offering a brick red color with some tawny showing on the rim that fades to a pink hue. Aromatics of rose petals accompanied by antique mahogany, toffee and chestnut nuances. This is a delicate wine that is best on the first day. It began to show a bit of alcohol the second day, which was more prevalent than on the first.  I have had many bottles of this wine from a number of bottling sources, which always makes comparison more difficult. The flavors were delicious with mostly sweet prune and currants that were prominent, but also some caramel and pralines. The finish was long and velvety, but there was a touch of alcohol that lingered. This is a wine (or a bottle at least) that is now fully mature, and showing tertiary notes. It is elegant and enjoyable but it will be best to drink now through 2010.  This should not be too hard to find today. 90 points

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    *** Feature article  ***

FOR THE LOVE OF PORT©

Why not offer 500 ml bottles of Vintage Port?

by Roy Hersh -  www.fortheloveofport.com 
© copyright August 2005

Size does matter. For years I have felt like the lone ranger when it comes to speaking out against one of the traditional sizes of Vintage Port bottles. In reality, the status quo of 375 ml (half bottles), 750 ml (standard) and 1.5 liter (magnums) is accepted by the vast majority of the Port drinking public. My contrarian view is in support of the silent minority of Port enthusiasts, who find that 375 ml bottles offer too little to be desired.

Why not get rid of the 375 ml size bottles of Port, once and for all? Those that tend towards a propensity for puny Port bottles, harken back to the tired rationale that this is the perfect size for one or two couples to enjoy. Such gibberish rankles my spirit, but in fairness, I sure would like to know why there is such love for the “half bottle” of Port.

We have all been there. A post prandial Port is brought forth in a decanter to toast the end of a wonderful evening. Four people are sharing a half bottle after a fabulous dinner that featured two bottles of great wine, along with the multiple courses of delectable food. Each individual receives a perfect three ounce pour of Port. Ahhhh, all seems right with the world. As the Vintage Port blossoms in the glass and every sip seems better than the last … WAIT … oh no, the glass is empty and there is no more to pour.

Believe it or not, the guests are not sitting there thinking, “That was a brilliant Port, time to go home now.” Absolutely not! They are sitting quietly and looking at the empty decanter with sadness, if not reserved disdain, as they dare not offend their hosts. Instead they peacefully ponder what they’d be willing to forfeit for just one or two more sips of that nectar.

It is at this point in the evening where time stands still (think: Bill Murray in Groundhog Day). Dinner has just ended and in walks Bill with a decanter shimmering with the opaque ruby-centered contents of that same sublime Vintage Port, this time from a 500 ml bottle. The host deftly pours three ounces into each glass. Conversation picks up again as the Port gains weight and all four of them seem delighted to just swirl, sniff and sip. As these final sips are swallowed, the host proudly passes the decanter to his left and each person is able to enjoy another ounce and a half. Don’t worry, this won’t tip the scales of sobriety in favor of the local pokey, as the “375’ers” would have you believe.

How often in your Port drinking experience have you reached the end of the 375 all too soon? Me too! Of course I understand that it can be a waste for a couple to open up a 750 ml bottle of Vintage Port as it will not be consumed before it goes bad (Not in my house!). So without any alternative, the “split” is the only option other than trying to preserve a few ounces of the leftover 750. Herein lies the absolute brilliance of the 500 ml bottle. Hungary, I salute your foresight when putting all Tokaji into the 500 ml sized bottle; a stroke of pure genius.

On Christmas Eve 2004, Dr. Dan Teng of Spokane, Washington, conducted an unscientific poll of dessert wine lovers on the Mark Squires’ Bulletin Board on the eRobertParker.com website. When asked the question, “I would buy 500 ml bottles” or “I would not buy 500 ml bottles,” 98% of respondents voted in favor of the new bottle size. What Dr. Teng didn’t ask was whether one would buy the 500 ml bottles instead of those 375 ml excuses for bottles.

In the past decade, a few enlightened marketers have done quite well with offerings of 500 ml bottles of Port. The Symington’s have enjoyed success with WARRE’S OTIMA, both ten and twenty year old Tawny Ports are in shapely, well appointed 500 ml bottles. Quinta do Noval also got into the act, breaking with tradition by introducing RAVEN, a square bottled half liter of Premium Ruby Port. So we now have two Port houses breaking with tradition, as well as others like Porto Solene and Quinta do Portal employing avant garde Port packaging. This is marketing progress! I say go all the way and put Vintage Port in a 500 ml bottle. I promise to promote the very first Port product to take the leap of faith and give it a try!
 

 
Should you be interested in some of my other recent articles on Port, please visit the
Article Archive
 
 
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~ Roy's Monthly Port Website Recommendation

 

Why would I promote a competitor’s website on Port wine?

Simply because I do not look at this fantastic website as a competitor, but one that is also trying to promote Port wine and supply accurate news and information about it. Along with FTLOP, it is the best Port website on the internet. I have been a long time enthusiast and frequent visitor to this website: www.infoportwine.com is an online magazine that is produced in both English and Dutch. It is revised once per month on the first weekend of each month by Elly and Herman Gerdingh, a very nice couple from Deventer in The Netherlands. They have been focused on Port for a very long time and we have been email friends for years and someday, I hope to meet them in person and open one of my very best bottles of Vintage Port for them. Please do visit their site and I’m sure you will find lots to learn there!

Note: For the sake of disclosure and integrity, I have NO financial interest in this product whatsoever, nor any arrangement with the retailer.

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    FOR THE LOVE OF PORT©

Protecting The Name Of Port:
 

Leading U.S., European Wine Regions Sign Declaration
to Protect and Promote Location

Napa, Oregon and Washington Joined by Champagne, Port and Sherry Regions

by Roy Hersh -  www.fortheloveofport.com 
© copyright August 2005

NAPA, CA - Producers of Champagne, Port and Sherry joined winemakers from Napa Valley, Oregon, and Washington State in signing a declaration of joint principles stating the importance of location to wine and the need to protect place names. This unprecedented meeting marks the beginning of a broader, collaborative effort on the part of these trade associations focusing on educating consumers about the importance of wine origin and the practice of clear and accurate labeling.

This effort comes at a time when there is growing concern about mislabeling and the lack of legal protection for place names in the United States. In fact, last month at Vinexpo, the world's largest international wine and spirits exhibition, wine leaders from around the world signed on in support of a declaration produced by the Napa Valley Vintners (NVV) that addresses this issue in very clear and simple terms.

"Winemakers worldwide know that when it comes to wine, location matters," said Joel Aiken, president of the NVV board of directors. "Our goal for this initiative is simple - In Europe most people are familiar with the concept of "terroir", but in the U.S. this concept is not part of the vernacular. We have joined together as winemakers to help promote a broader public awareness of why place is important to wine, and why the names of the places where great wines are produced need to be used accurately."

In the declaration, the signatories state that: "Wine, more than any other beverage, is valued based on its association to its place of origin - and with good reason. The names of these places are familiar, and synonymous with quality." The declaration goes on to say that, "The geographic place names of wine regions are the sole birthright of the grapes that are grown there, and when these names appear on wines that do not contain fruit from that region, they lose their integrity and their relevance, becoming merely words."

"Regardless of what side of the Atlantic you come from, we all agree that great wine is made in unique places all over the world and that these unique place names must be protected. A failure to do so does nothing but diminish the credibility of our industry as a whole," said Bruno Paillard, representing the Comité Interprofessionnel du Vin de Champagne (CIVC). "Just as it doesn't make sense for Florida oranges to come from New Mexico or Idaho potatoes from Georgia, a wine bearing the name of Napa Valley or Champagne should not come from China. We are committed to educating consumers about the importance of place and ending the use of misleading labels."

The joint declaration signed in Napa was crafted and agreed to by the NVV and winemakers from Oregon and Washington State, with an open-ended invitation for other wine regions to sign on at any time. By joining in the U.S. effort, Champagne (represented by CIVC), Port (represented by IVDP) and Sherry (represented by Fedejerez) acknowledge the importance of an international movement to ensure that premium winemaking location names are maintained and protected.

"Port is the first demarcated and regulated wine region in the world. Our hundreds of years of history have taught us that location is integral to the grapes we grow and the wine we make," said George Sandeman, President of the Port Shippers Association (AEVP). "We are pleased to join these other wine making regions in pledging to work together to ensure more consumers understand the impact that location has on wines ."
"While Washington State is a relatively young and rapidly growing wine region, the concept of location is an issue we have embraced for quite some time. For us there is no greater service we can provide to consumers than authenticity," says Jamie Peha, Market Director, Washington Wine Commission. "But what is exciting about today is we have a chance to join together with other wine growing regions to take that message on to the world stage."

As part of today's event, Champagne, Port and Sherry also announced plans to open the Center for Wine Origins later this year. The organization will be dedicated to educating U.S. consumers and policymakers about the importance of location and accurate labeling. It will be a central part of the European participation in the name protection campaign launched today.

"Today marks an important milestone for the wine world. While we each represent different, unique regions around the world we are all united in one fundamental belief - location matters," said Bosco Torremocha, Vice Presidente, Consejo Regulador de las DD.OO Jerez-Xeres-Sherry. "While this is a principle for which Sherry has long been an advocate, the fact that today we are joining hands with so many others truly marks an historic day."

"Oregon's wine industry has long recognized the critical importance of 'place'," adds Harry Peterson-Nedry, chair of the Oregon Wine Advocacy Council Advocacy Committee. "Since 1977 Oregon wine labels have not allowed unauthentic place names or semi-generic geographical indicators to be used. We heartily support worldwide recognition of accurate place identity as a basic tool for the consumer in purchasing wine and other products whose quality depends on where it is grown or made. Unless we want commonplace wines, we should honor unique places where great wines are made!"

All the attending trade associations have committed to working together on a host of initiatives in the coming months, ranging from joint public awareness efforts to potential collaboration on research and analysis, policymaker outreach, etc.

The full text of the declaration can be found at http://www.napavintners.com/news/2005_media_handout_declaration.pdfand
http://www.champagne.us/.

 
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Roy’s Vintage Port Vintage Chart: 1900 - 2003

 Roy Hersh - © copyright October 2005    

The chart below includes most major
Vintage Port declarations (33 in 103 years):

2003 Classic – Hold 1978 Good – Drink/Hold 1935 Excellent – Drink
2000 Classic – Hold 1977 Classic – Hold/Drink 1934 Very Good – Drink
1997 Excellent – Hold 1975 Average – Drink 1931 Classic – Drink/Savor
1995 Good – Hold/Drink 1970 Classic – Hold/Drink 1927 Classic – Drink
1994 Classic – Hold 1966 Classic – Drink/Hold 1924 Excellent – Drink
1992 Excellent – Hold 1963 Excellent – Drink/Hold 1920 Good – Drink
1991 Excellent – Hold 1960 Good – Drink 1917 Good – Drink
1987 Very Good – Hold/Drink 1955 Excellent – Drink 1912 Classic – Drink
1985 Very Good – Hold/Drink 1948 Classic – Drink/Hold 1908 Excellent – Drink
1983 Excellent – Hold/Drink 1947 Very Good – Drink 1904 Very Good – Drink
1980 Good – Drink/Hold 1945 Classic – Drink/Hold 1900 Very Good – Drink

 

Key to Ratings
Classic

*****

Excellent 

****

Very Good

***

Good 

**

Average

*

 

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On The Record: Ryan Interviews Roy

Ryan Opaz, an American who has moved to Spain to get closer to the wine he loves, started up a website that is dedicated to collecting tasting notes and stories about the wines of the Iberian Peninsula. He contacted me and mentioned that he wanted to start doing interviews of folks that were involved with the wines of Spain and Portugal. He asked me if I’d be interested in being interviewed. He sounded very passionate about wine and his website and I figured it was the least I could do, to help out another guy getting his website filled with good content on wine. So, the following is the interview in its entirety. Ryan’s website can be found at www.catavino.net and is worthy of the exploration.
 

Interview with Roy Hersh
Posted by Ryan on 07.20.05 @ 11:23 am
 

It was about 3 years ago that I first started visiting the bulletin board over at erobertparker.com. At that time I was just starting to fall in love with wine and I had a lot of questions. Fortunately I found this forum to be a good place to ask those questions that I couldn’t find answers to elsewhere. Due to the high level of wine knowledge among the members of the board I was able to learn about regions and ideas I had never heard of before.

One such member of the board is Roy Hersh, a man who has probably forgotten more about Port wine than I will ever fully know. I found that reading his tasting notes and listening to his comments helped me to learn and appreciate Port in a new way. About a year ago this sharing of knowledge became a bit more formal when Roy launched an email only newsletter called: For the Love of Port. At first a informal “send me your email” type arrangement, it is currently about to go public with the introduction of a For the Love of Port website.

Last month I sent Roy a note requesting an interview. My hope is that the following Q&A, conducted by email, will provide all of you with some good information about Port wine and other wines of the Iberian Peninsula. This is the first in what I hope to be a long line of interviews with wine producers, importers, and other people with a high knowledge of wine from Spain and Portugal. Enjoy the interview and let me know what you think.

-Ryan


Interview with Roy Hersh by email during June of 2005

1) When did you fall in love with port and why?

I worked in a fine dining restaurant in NYC called, THE WATER CLUB, which was literally situated directly on the East River. I was the Back of House Manager and responsible for all of the purchasing and other duties. We had a very progressive Wine Steward named Sam Correnti, who created one of the finest dessert wine lists in the city back then. We had one of the early Cruvinet systems which kept wine preserved with inert gas for a few days or longer. There were a few great vintage Ports on the list and my favorite was the 1963 Sandeman at the time. Whenever Sam would decant a new bottle to remove the sediment, he’d make sure I was present. He’d filter it through cheese cloth and we’d each have a sip. He knew I loved the stuff so he would hand me the still dripping cheese cloth when he was done. It had the sediment in it and I would hold it above my head and ratchet it tightly and squeeze every last drop from it. He used to get a kick out of watching me do that. This is my earliest memory of Port that goes back 22 years, now.

2) In your opinion what is the most exciting non-Port wine currently coming out of Portugal?

Ok, let me ask you, what is your favorite child? Neither are easy questions to answer. For whites I am really excited to see the great progress that has been made qualitatively speaking, with Vinho Verde. I first started to drink it, in 1994 when I ventured north of the Douro Valley into the Minho District where much of the top “Green Wine” comes from. At the time, there was very little in terms of exuberant juice and most was sold in bulk or made for supermarket brands at very low price points. There has been a lot more attention paid to this style of wine today and the quality has increased exponentially. Fortunately, the USA has started to catch on, and some importers are doing a great job with this wine but it is still far from a mainstream wine on the shelf.

The red wines that I love from Portugal, are naturally from the Douro River Valley region and come from the same grapes as Port, and are fermented dry and obviously, not fortified. The Touriga Nacional grape and also Tinta Roriz (Tempranillo in Spain) are probably my two favorites for dry red table wine production. There are currently about 2 dozen world class wines that are coming out of the Douro today and many new entries are taking the domestic market in Portugal by storm. Dirk van der Niepoort is one of the leaders with his troika of Charme, Betuta and Redoma (tinta and branco). Fabulous quality. Quinta do Crasto is another fine producer and their Reserve Red and Touriga Nacional bottlings are at the top of my list. Quinta do Ventozelo, Quinta de Roriz, and a red called Pintas from the husband and wife team of Jorge Borges and Sandra Tavares-Borges, are doing wonderful things and gaining notoriety too.

3) Who are the most exciting new producers?

I am glad you asked. Port as we all know, has a very long and storied tradition behind it. Some of the old guard have been around since the 1600s. Along with some regulatory changes in 1986 which permit the cellaring and marketing of Port wine from the Quintas up the Douro River, (instead of Vila Nova de Gaia’s historic Port Lodges), has brought forth many Single Quinta Ports and some spectacular Vintage Ports, not to mention their stunning table wines too. But back to Port!

Some of the new names to keep an eye on are Quinta do Portal which has been around since the 1994 Vintage and is making some of the most exciting new Vintage Ports, with the 1999 vintage being the turning point, in my opinion. Quinta do Vallado, Quinta do Ventozelo, Quinta do Vale Dona Maria are just a few of the dozen rising stars that I have enjoyed. There are many other names and wines to be tried and I have a report on over 40 of the 2003 Vintage Ports in my upcoming July issue of my newsletter. I bet there are nearly ten producers of the 40 that almost no Americans have even heard of. This too shall change.

4) Do you think Portugal will survive the “wine glut” that is occurring world wide, and if so, why or why not?

I foresee four countries on the verge of a world wide break out situation in terms of a wine explosion. They are Spain, South Africa, New Zealand and Portugal. All but NZ are traditional old world wine producing nations, with a variety of terrains, regions and grapes. The current “wine glut” is their opportunity to gain market share, even though I believe the cyclical nature of the glut, will change market dynamics during the rest of this decade.

Portugal is a very diverse country when it comes to wine production. In addition to the Vinho Verde and Douro regions, I foresee the Alentejo and Dao regions as becoming “hot spots” in the coming years. They can produce both red and white wines that are not only gaining in popularity, but the prices are quite palatable. There is no shortage of juice and the producers have been ramping up the quality slowly over the past 5-10 years and they’re poised for a breakthrough. The tidal wave is coming as consumers become more open minded and look to find something besides Australia, Chile and Argentinean in their quest for value added wine experiences.

5) How is the 2005 vintage shaping up for Portugal?

Honestly, I have no idea. I am so focused on evaluating 40+ cask samples of 2003 Vintage Ports, my focus has been solely on that vintage recently. I can tell you that the 2004 Vintage Ports are of a high quality and had 2003 not been generally declared, my bet is that 2004 would have been. I still think there will be some very good VPs to come from that vintage. As to 2005, it is just about time for veraison to occur in the vineyards, so it is really still too early to make any type of forecast.

6) 2003 was a declared vintage for Port, how do you think 2003 will compare to the past vintages?

Quite favorably. For specifics, you’ll just have to read my next newsletter. I will say though, that from the 30+ Vintage Ports I have opened so far, my expectations have been exceeded, in terms of overall quality. Sorry, but I can’t elaborate more, but in three weeks, my opinions will no longer be closely guarded.

7) Some questions about your “For The Love Of Port” newsletter:

Why did you start it?

Okay, I am still waiting for the easy questions to come!
Seriously though, your questions are thought provoking and I hope my responses do not bore your readers.

In June of 2003, I was one of two Americans “enthroned” into the IVDP or Port and Douro Wine Institute’s “Confraria” (or Brotherhood) in a somber ceremony attended by Portuguese President Sampaio in addition to all members of the Portuguese trade and many past Confraria members. For this honor, I took an oath, “I swear to lend my support to the Confraria and to continue fighting for the dignification of Port wine.” If you’d ask my wife, she’d tell you that I take this oath, way too seriously. I truly have dedicated the title of my newsletter to this quest and that is the reason, I will never charge for subscriptions. FOR THE LOVE OF PORT, is truly just that and the newsletter is both educational and promotional while offering Port related insights, that are not found in your typical wine magazine.

What do you want people to get from it?

I would like to believe that my passion comes across to subscribers and that they gain knowledge and have access to tasting notes, articles and breaking news that makes each issue worth reading from start to finish.

What are your future plans for it?

My future plans for the newsletter are humble. I expect that the format won’t change too drastically. I have yet to decide if it will remain a monthly venture or if it may eventually wind up a quarterly newsletter instead. That will probably be decided by the readership. I am pushing for more interactivity with myself and the readers. Currently, I receive about 30-40 emails a week requesting information on Ports and also Madeira which is another Portuguese passion of mine. This summer, the newsletter will be linked with my articles by a website: www.fortheloveofport.com

Any hints about upcoming article ideas?

I have been writing articles on Port since 1995 and will have some of my archived pieces on the aforementioned website. In the upcoming July issue of FTLOP newsletter, I will release my 2003 Vintage Port Forecast and it promises to be informative. My article on the 2000 Vintage Port Forecast was copied in six languages and placed on websites around the globe. I hope this garners the same level of attention. Beyond July, I foresee doing a 2005 harvest issue and a few interviews later in the year.

What do you hope the future holds for your newsletter?

The future for the newsletter and website are bright and I plan to make a career change, enabling me to visit the Port and Madeira areas, numerous times during the year. I am going to be starting up an “insider’s” tour of everything Port and a separate itinerary for Madeira. In leading these trips with a Portuguese partner who is a close buddy of mine, we’ll present “once-in-a-lifetime” experiences that will include exciting culinary and vinous explorations, that will be not only fun, but almost like a casual, sensorial seminar. This will provide me with great photo opportunities and fodder for timely articles in the future, while offering our guests, experiences to “meet, eat and drink” in ways they could never duplicate on their own. I am looking forward to this change in life.

8) Have you explored Spanish wine much, and if so, what excites you?

I can not claim to be well-versed in Spanish wines, but I have had my share. I have been fortunate to try some old bottles of Rioja from the late 1950s through the late ’70s. Castillo Ygay’s 1959 and Ribera Del Duero’s Vega Sicilia Unico from ‘53, ‘70, ‘75 and ‘91 stand out in memory. I have enjoyed lots of sherry but can never wrap my mind around the Fino style, as I have a sweet tooth. I was fortunate to unearth a gold mine of ancient Malaga and PX wines from 1911 through the early 1930s bottlings. Great stuff! Currently, one of my newest fascinations in wine is Priorat, over the past year or so. So far my epiphanal Priorat experience was a 1994 Clos Erasmus, but I have had quite a few great bottlings from the late 1990s and am a big fan of Clos Martinet and Mogador too. My own collection ranges with a few older bottles but contains mostly 2001s. These are great wines and I am glad that they have not become more mainstream yet, as they are already quite pricey.

9) Finally, and most importantly, what is your favorite $10, or less wine, and your favorite “no budget” wine?

Yikes, I don’t get to drink enough wines in that price range. I recently had a great bottle of Broadbent Vinho Verde that was an excellent value at $9. I have also had the good fortune to buy very reasonably priced South African wines during a couple of trips to the winelands. There are so many bargains over there. Ahh, I did buy a handful of 2001 Onix Priorats, the entry level bottling and paid $11 a piece (close enough to $10) and they were terrific in the scheme of things. On the high end, I am a sucker for Henschke’s Hill of Grace, Phelps Insignia, Pichon Baron and Hanzell Pinot Noir … but my dessert island wine would be a great 19th century Madeira, without question.

On a final note, after I sent Roy these questions, I received his For the Love of Port newsletter issue #9 where I read this:

No one who knows me would normally describe me as naïve, but little did I realize the impact of my words in the May edition of FTLOP newsletter. That all changed over the past few weeks, after I featured a piece in issue #8, entitled: Ranking the Port Shippers and Producers: The Top 30. After publication, I rather quickly received around a half dozen emails and even a phone call one very early morning, from principals within the Port trade. It seems that my placement of Shippers and Producers into a “tier system” caused a minor commotion and certainly a few discussions. I no longer have any claims of naïveté as a writer. As with each and every segment that is included in FOR THE LOVE OF PORT, considerable thought went into the rankings as well as the parameters utilized to determine the placement within the various tiers. As a Port loving amateur journalist, I lacked the perspective to foresee the train wreck just around the bend. In all fairness, the emails were extremely professional and polite. However, they were clear as an azure sky in summer, and their “suggestions” left little to the imagination. One such respected industry respondent explained that these rankings could take on more historical significance than he believed I had realized. Humility tastes better, when sprinkled with sugar and consumed for breakfast. Although it would have been easy to ignore or to politely brush these comments aside, I realized that within a week, I would be facing a few of these same gents whom had penned critiques, in person. So, with honesty as the best policy, no excuses were offered and I did my best to provide specific details, stating my case backing up the rankings.

Wanting to know more about the “stir that occurred”, I asked Roy:

I read about your “ranking” of Port producers causing quite a commotion in the port community. I was wondering what you hope the rating system you implemented might do for/to the trade?

I don’t know what my rankings will do for the trade. I am just one man and this was my opinion of what are the top 30 companies producing Vintage Ports given specific determinants. I now know that the Port trade certainly was paying attention to what I wrote, which I guess was the positive facet that came out of the entire clamor at the time.

Any last comments?

The ONLY other thing I would very much appreciate is if you would have folks email me: roy@fortheloveofport.com, if they’d like to get free subscription to the newsletter. All I need is the following information:

·  first and last name

·  city, state and country of residence

With that I would like to thank Roy for taking the time to talk with me and lending his expertise on Port wine. Make sure to check out For the love of Port, it should be up and running sometime near the end of July. Also, let me know what you think of this interview and let me know if there is anyone else you would like to see interviewed at catavino.net!

_____________________________________________________
 

~ Letters and E-feedback:
 

Hi Roy,

Thanks again for your newsletters. They're very informative and I appreciate them greatly. Your descriptions in the Tasting Notes always get me salivating. Often when I read these notes I immediately go out onto the internet and try to find out if the ports you reviewed are available anymore and, if so, what the going price is (because I have no idea if it's a wine I can even afford). Unfortunately, I cannot find most of these ports at my favorite local wine cellar (and it's huge!). Nor can I often find any of them for sale anywhere online.

Could I ask you to do us a favor? At the end of each review, could you please note if the port is likely available anymore and what the estimated going price is for each port your review? That would help your readers greatly in their ability to share in your love of port!

Warmest regards,

Van in Orange, California


Dear Van,

I hate to say no to any request. Unfortunately, it is not plausible for me to include pricing here in the newsletter. I suggest you check for pricing at www.winesearcher.com as each marketplace and country has different prices for the same wine. I’d rather have you do the homework to find the pricing using the web or looking up auction prices in The Wine Spectator, Decanter Magazine or web sites designed to provide up-to-the-minute information. On the other hand, I will certainly try to let folks know if a Port or Madeira (that I review), is still available on the market today and have done so starting with my tasting note of the 1966 Sandeman, earlier in this newsletter.

 

Dear Mr. Hersh,

I have very much enjoyed receiving your e-mail newsletter. I had a question related to Madeira, but first, congratulations on your new travel venture! Please add me to the list for further information on
your guided trips to Portugal, as we love traveling the world and (particularly) touring wine areas.

My question is with regard to an 1885 Barbeito Verdelho I recently purchased (from the Rare Wine Company) for an upcoming special event, later this fall. I have little personal experience with Madeira, having ever had only perhaps a few glasses of rather modest non-vintage wines (which I enjoyed very much), certainly no fine old rare bottlings ... I was wondering about some of the practical matters related to serving this at its best -- what would you suggest in terms of glassware (we have
a fairly extensive variety of Riedel stems), serving temperature, decanting, etc.? Is there anything else I should especially be aware of? Any other information you might know about this particular bottling would also be of much interest to me.
Thanks in advance,

Tad Dibbern, Portland, Oregon


Dear Tad,

I have not had a Madeira question lately and am thrilled to see one.
Let’s start with storage of the Madeira bottle, in case you won’t be drinking it any time soon. Unlike Port, leave your Vintage Madeira bottle standing up in your cellar. Make sure the capsule is protecting your cork or you can add some sealing wax to it, or even a large size zip-lock back. This will protect the cork.

  • Outside of using a cheap Libbey Madeira wine glass which I don’t recommend, I would suggest you use a glass like the Riedel Vinum Port glass. I know folks that swear by the Riedel Sommelier series Sauternes glass and I have friends who enjoy using brandy snifters. I don’t like snifters as they tend to accentuate the alcohol and that is one thing you don’t need to do with Madeira. So stick with a Port style of glass or if you don’t have them, a small white wine stem will do in a pinch.
  • Stand up your bottle and remove the cork a day or two before you plan to serve the wine. Decanting ahead with Madeira depends on who you listen to and what your personal preference is. The two schools of thought are: Decant 24-48 hours in advance of service to allow the bottle stink (“sickness”) to clear out, while the wine opens up. The other approach is to decant the bottle one or two hours prior to service, especially when planning to keep the rest of the contents for the long haul.
  • Serving temperature is a range between 64 and 68 degrees F. No need to ever chill Madeira with ice cubes or in refrigerator. Try to serve Madeira just below room temperature, which is best for the aromatic profile to shine.
  • Here is a Steven Tanzer review of the wine you are about to encounter:
    Steve Tanzer: “95 rating ... High-toned floral nose offers wood, pear, apple nuances suggestive of old Calvados. Penetrating and intensely flavored, but mouth filling and delicious ...Wonderful inner-mouth aromatics.”

    I hope that I have answered your questions. Enjoy that fabulous Madeira!

    Roy

Hi Roy,
I have a question for you and - if you're not able to help me - perhaps there are some other readers who might be able to. The two cities I travel to and stay in most frequently are London and Dublin. In London, I have managed to find a couple of chains of bar/restaurants which serve decanted vintage port by the glass - ideal if I want to relax in the evening while preparing for the next day's work. By contrast, I have had no such luck in finding similar restaurants or wine bars in Dublin. The nearest I have been able to find are some restaurants who serve late bottled vintage by the glass. Nice, but not the same as being able to enjoy the subtleties of a mature vintage port. If you or anyone else who reads this letter is able to point me in the direction of a Dublin wine bar or restaurant where I can enjoy a glass or two of VP while spending some time reading documents and preparing for the next day's work, I would be very grateful. Many thanks,
Alex Bridgeman, Wokingham, Berkshire, England.
Dear Alex,
Good news. There are lots of folks from Ireland and the UK that receive the FOR THE LOVE OF PORT newsletter. I can all but guarantee you that someone reading this will send me an email about pubs or other night spots to enjoy a good tipple of Vintage Port in Dublin. Have a great time and I hope to meet you when I come to the UK in early November.
Roy


Hi Roy,

Great Newsletter! I will be ordering some 2003 ports tomorrow. I wanted to ask you of the VP's from 1977 to 1997 which do you feel are the best to accumulate as you mentioned in your letter? Which house and vintage you find best would be very helpful. Also my wife and I will be going to
New York in September and we enjoy fine dining. What were your impressions of Montrachet?
Thanks,

Mark Fenton, Saint Charles, Missouri



Dear Mark,

Montrachet is a fun restaurant with very good food. I strongly suggest you go on a Monday night which is BYOB sans corkage fee night. Lots of locals take advantage of this freebie and it is not uncommon to see tables offering one another a few ounce pour of great wines. Sharing in that venue is a lot of fun and a great way to meet folks.

Although I could create an entire newsletter around great producers from those vintages, I will provide you with a couple of different picks from each vintage and no bottling will be mentioned twice.

1977: Smith Woodhouse and Warre

1980: Dow and Offley Boa Vista

1983: Cockburn and Gould Campbell

1985: Fonseca and Burmester

1987: Quinta de Vargellas and Guimaraens

1991: Croft and Graham

1992: Taylor and Quinta do Infantado

1994: Quinta do Noval Nacional and Quinta do Vesuvio

1995: Ferreira and Quinta da Eira Velha

1997: Quinta do Noval and Niepoort



I hope that provides you some Port for thought. Enjoy!

Best regards,

Roy

 

 
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Should you be interested in some of my recent articles on Port, please visit our Article Archive. I welcome your feedback, critiques, suggestions, or questions on any Port related topics.  Please be sure to mention if you do not want your email (whole or in part) incorporated into the text of the newsletter*.  My e-mail address is: roy@fortheloveofport.com and I look forward to hearing from you.  I will do my personal best to respond to all e-mails addressed to me, in a timely manner.

Roy Hersh

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